This series taken in 2016 is a hommage to Alfred Stieglitz's "Equivalents" (1925-1934): The Equivalents "remain photography's most radical demonstration of faith in the existence of a reality behind and beyond that offered by the world of appearances. They are intended to function evocatively, like music, and they express a desire to leave behind the physical world, a desire symbolized by the virtual absence of horizon and scale clues within the frame. Emotion resides solely in form, they assert, not in the specifics of time and place." (Andy Grundberg)